{"id":272513,"date":"2017-02-09T05:43:00","date_gmt":"2017-02-09T09:43:00","guid":{"rendered":"http:\/\/spaceweekly.com\/?guid=734a63f514da4496f23598678049af9e"},"modified":"2017-02-09T05:43:00","modified_gmt":"2017-02-09T09:43:00","slug":"entrance-to-hertz-chamber","status":"publish","type":"post","link":"https:\/\/spaceweekly.com\/?p=272513","title":{"rendered":"Entrance to Hertz chamber"},"content":{"rendered":"<p>\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.esa.int\/var\/esa\/storage\/images\/esa_multimedia\/images\/2017\/02\/entrance_to_hertz_chamber\/16805616-1-eng-GB\/Entrance_to_Hertz_chamber_small.jpg\" width=\"170\" height=\"96\" align=\"left\" hspace=\"8\" \/><\/p>\n<p>\nThe doorway out of ESA\u2019s Hertz test chamber, used to test the radio performance of large space antennas, as captured by photographer Edgar Martin.\n<\/p>\n<p>\nPart of ESA\u2019s technical heart in the Netherlands, the metal-walled <a href=\"http:\/\/www.esa.int\/Our_Activities\/Space_Engineering_Technology\/New_Meteosat_antenna_tested_in_Hertz_chamber\">\u2018Hybrid European Radio Frequency and Antenna Test Zone\u2019<\/a>&nbsp;chamber is shut off from all external influences.\n<\/p>\n<p>\nIts internal walls are studded with radio-absorbing \u2018anechoic\u2019 foam pyramids, allowing radio-frequency testing without any distorting reflections. In addition, this cladding also absorbs sound \u2013 making Hertz an eerily quiet place to work.\n<\/p>\n<p>\nPortuguese-born <a href=\"http:\/\/www.edgarmartins.com\/\">Edgar Martins<\/a>&nbsp;has collaborated closely with ESA to produce a comprehensive photographic survey of the Agency\u2019s various facilities around the globe, together with those of its international partners.\n<\/p>\n<p>\nThe striking results were collected in a book and exhibition, entitled <i><a href=\"http:\/\/www.themothhouse.com\/shop\/rehearsal-space-poetic-impossibility-to2-manage-infinite\/\">The Rehearsal of Space and The Poetic Impossibility to Manage the Infinite<\/a><\/i>.\n<\/p>\n<p>\nCharacteristically empty of people, Martins\u2019 long-exposure photos \u2013 taken with analogue wide film cameras \u2013 possess a stark, reverent style. They document the variety of specialised installations and equipment needed to prepare missions for space, or to recreate orbital conditions for testing down on Earth.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.esa.int\/var\/esa\/storage\/images\/esa_multimedia\/images\/2017\/02\/entrance_to_hertz_chamber\/16805616-1-eng-GB\/Entrance_to_Hertz_chamber_small.jpg\" width=\"170\" height=\"96\" align=\"left\" hspace=\"8\"><\/p>\n<p>\nThe doorway out of ESA&rsquo;s Hertz test chamber, used to test the radio performance of large space antennas, as captured by photographer Edgar Martin.\n<\/p>\n<p>\nPart of ESA&rsquo;s technical heart in the Netherlands, the metal-walled <a href=\"http:\/\/www.esa.int\/Our_Activities\/Space_Engineering_Technology\/New_Meteosat_antenna_tested_in_Hertz_chamber\">&lsquo;Hybrid European Radio Frequency and Antenna Test Zone&rsquo;<\/a>&nbsp;chamber is shut off from all external influences.\n<\/p>\n<p>\nIts internal walls are studded with radio-absorbing &lsquo;anechoic&rsquo; foam pyramids, allowing radio-frequency testing without any distorting reflections. In addition, this cladding also absorbs sound &ndash; making Hertz an eerily quiet place to work.\n<\/p>\n<p>\nPortuguese-born <a href=\"http:\/\/www.edgarmartins.com\/\">Edgar Martins<\/a>&nbsp;has collaborated closely with ESA to produce a comprehensive photographic survey of the Agency&rsquo;s various facilities around the globe, together with those of its international partners.\n<\/p>\n<p>\nThe striking results were collected in a book and exhibition, entitled <i><a href=\"http:\/\/www.themothhouse.com\/shop\/rehearsal-space-poetic-impossibility-to2-manage-infinite\/\">The Rehearsal of Space and The Poetic Impossibility to Manage the Infinite<\/a><\/i>.\n<\/p>\n<p>\nCharacteristically empty of people, Martins&rsquo; long-exposure photos &ndash; taken with analogue wide film cameras &ndash; possess a stark, reverent style. They document the variety of specialised installations and equipment needed to prepare missions for space, or to recreate orbital conditions for testing down on Earth.<\/p>\n","protected":false},"author":5,"featured_media":615444,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[],"class_list":["post-272513","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-multimedia"],"_links":{"self":[{"href":"https:\/\/spaceweekly.com\/index.php?rest_route=\/wp\/v2\/posts\/272513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/spaceweekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/spaceweekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/spaceweekly.com\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/spaceweekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=272513"}],"version-history":[{"count":1,"href":"https:\/\/spaceweekly.com\/index.php?rest_route=\/wp\/v2\/posts\/272513\/revisions"}],"predecessor-version":[{"id":272514,"href":"https:\/\/spaceweekly.com\/index.php?rest_route=\/wp\/v2\/posts\/272513\/revisions\/272514"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/spaceweekly.com\/index.php?rest_route=\/wp\/v2\/media\/615444"}],"wp:attachment":[{"href":"https:\/\/spaceweekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=272513"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/spaceweekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=272513"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/spaceweekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=272513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}