{"id":800788,"date":"2026-02-20T05:14:29","date_gmt":"2026-02-20T10:14:29","guid":{"rendered":"https:\/\/spaceweekly.com\/?p=800788"},"modified":"2026-02-20T05:14:29","modified_gmt":"2026-02-20T10:14:29","slug":"artists-gaze-into-space-in-stunning-new-exhibition","status":"publish","type":"post","link":"https:\/\/spaceweekly.com\/?p=800788","title":{"rendered":"Artists gaze into space in stunning new exhibition"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div xmlns:default=\"http:\/\/www.w3.org\/2000\/svg\" id=\"\">\n<p xmlns:default=\"http:\/\/www.w3.org\/2000\/svg\">\n<figure class=\"ArticleImage\">\n<div class=\"Image__Wrapper\"><\/div><figcaption class=\"ArticleImageCaption\"\/><\/figure>\n<\/p>\n<p><b>Royal West of England Academy<\/b><\/p>\n<p>Both artists and astronomers are, in a way, translators. They convert what we can see into a story we can tell. In <i>Cosmos: The art of observing space<\/i>, a new exhibition at the Royal West of England Academy in Bristol, UK, every facet of this process is on display.<\/p>\n<p>\u201cWe recalibrate our perspectives nourished by the prolonged experience of the sustained gaze,\u201d writes artist Ione Parkin, the exhibition\u2019s curator, in an essay about the show, evoking nights of stargazing as much as those spent poring over scientific data. The exhibition, which runs until 19 April, invites visitors to engage in their own act of observation and discover new insights in the interweaving of art and science.<\/p>\n<p>For the image above, Janette Kerr worked with communities in Iceland, Greenland, Shetland and Somerset to freeze time through solargraphy \u2013 photography of the sun with months-long exposure times.<\/p>\n<p xmlns:default=\"http:\/\/www.w3.org\/2000\/svg\">\n<figure class=\"ArticleImage\">\n<div class=\"Image__Wrapper\"><img decoding=\"async\" class=\"Image\" alt=\"Alex Hartley, All systems are Aligned, 2026 Recycled solar panels, hand-dyed giclee prints, acrylic paint, resin, Unistrut, limestone boulders, solar thermal tube, IED lights Courtesy of the artist and Victoria Miro gallery. ?The work seeks to harness, store and focus the vibrant energy and power of resonant standing stones,? explains the artist. Photographs taken of Dartmoor?s Neolithic stone rows and circles are embedded under resin onto recycled solar photovoltaic panels. The chosen stones are arranged in newly imagined cosmic constellations which appear both sci-fi and otherworldly. Recycled solar panel, paint, hand-dyed photographic cut-outs encased in resin Photographs taken of Dartmoor?s Neolithic standing stones are combined with solar panels and images of galaxies, fusing ancient and contemporary technologies. This installation of 6 panels mounted on steel frameworks, form a circle around granite boulders embedded with evacuated solar thermal tubes. 'The work seeks to harness, store and focus the vibrant energy and power of resonant standing stones' (Alex Hartley). First commissioned for Dartmoor: A Radical Landscape at RAMM, Exeter\" width=\"1350\" height=\"2066\" src=\"https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg\" srcset=\"https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=300 300w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=400 400w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=500 500w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=600 600w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=700 700w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=800 800w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=837 837w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=900 900w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=1003 1003w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=1100 1100w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=1200 1200w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=1300 1300w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=1400 1400w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=1500 1500w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=1600 1600w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=1674 1674w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=1700 1700w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=1800 1800w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=1900 1900w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121549\/SEI_284359061.jpg?width=2006 2006w\" sizes=\"auto, (min-width: 1288px) 837px, (min-width: 1024px) calc(57.5vw + 55px), (min-width: 415px) calc(100vw - 40px), calc(70vw + 74px)\" loading=\"lazy\" data-image-context=\"Article\" data-image-id=\"2515619\" data-caption=\"\" data-credit=\"Alex Hartley\"\/><\/div><figcaption class=\"ArticleImageCaption\"\/><\/figure>\n<\/p>\n<p>This detail of a work by Alex Hartley combines a solar panel with manipulated photographs of Neolithic standing stones, showcasing a continuity of solar tech from antiquity to now.<\/p>\n<p>\u00a0<\/p>\n<p xmlns:default=\"http:\/\/www.w3.org\/2000\/svg\">\n<figure class=\"ArticleImage\">\n<div class=\"Image__Wrapper\"><img decoding=\"async\" class=\"Image\" alt=\"Ione Parkin RWA, Fusion, 2025 Oil and synthetic resin on canvas, 160 x 130 cm. Courtesy of the artist and the Royal West of England Academy. This painting is inspired by solar dynamics and the intense heat and turbulent motion of super-heated plasma. In physics, plasma is described as the ?fourth state of matter?, not solid, liquid or gas. It is ?super-energized gas? which is the fast nuclear burning of hydrogen and helium. Parkin wanted to convey an impression of dynamic physics at work: energy moving about, being emitted and absorbed, before being emitted again. With thanks to Helen Mason OBE, Department of Applied Mathematics and Theoretical Physics, University of Cambridge\" width=\"1350\" height=\"1661\" src=\"https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg\" srcset=\"https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=300 300w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=400 400w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=500 500w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=600 600w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=700 700w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=800 800w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=837 837w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=900 900w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=1003 1003w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=1100 1100w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=1200 1200w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=1300 1300w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=1400 1400w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=1500 1500w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=1600 1600w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=1674 1674w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=1700 1700w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=1800 1800w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=1900 1900w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121554\/SEI_284359031.jpg?width=2006 2006w\" sizes=\"auto, (min-width: 1288px) 837px, (min-width: 1024px) calc(57.5vw + 55px), (min-width: 415px) calc(100vw - 40px), calc(70vw + 74px)\" loading=\"lazy\" data-image-context=\"Article\" data-image-id=\"2515621\" data-caption=\"\" data-credit=\"Ione Parkin RWA\"\/><\/div><figcaption class=\"ArticleImageCaption\"\/><\/figure>\n<\/p>\n<p>Next, Parkin\u2019s own painting swirls with reds and oranges, with cracks of bright white, evoking the restless motion of super-heated plasma on the surface of the sun.<\/p>\n<p>\u00a0<\/p>\n<p xmlns:default=\"http:\/\/www.w3.org\/2000\/svg\">\n<figure class=\"ArticleImage\">\n<div class=\"Image__Wrapper\"><img decoding=\"async\" class=\"Image\" alt=\"Impossible landscape 15-05-25 39.5 x 29 cms Oi and acrylic on paer Michael Porter RWA, Impossible Landscape 15-05-25, 2025 Oil and acrylic on paper, 57 x 48 x 4 cm Courtesy of the artist and the Royal West of England Academy. Porter has devoted a lifetime to making work rooted in a real tangible experience of land, rock and water ? the physical elements of landscape and geology. These visionary new paintings reach beyond this Earth towards an unknown future, extending to an imagined connection with the Cosmos.\" width=\"1350\" height=\"1904\" src=\"https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg\" srcset=\"https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=300 300w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=400 400w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=500 500w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=600 600w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=700 700w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=800 800w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=837 837w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=900 900w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=1003 1003w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=1100 1100w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=1200 1200w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=1300 1300w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=1400 1400w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=1500 1500w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=1600 1600w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=1674 1674w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=1700 1700w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=1800 1800w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=1900 1900w, https:\/\/images.newscientist.com\/wp-content\/uploads\/2026\/02\/13121546\/SEI_284359045.jpg?width=2006 2006w\" sizes=\"auto, (min-width: 1288px) 837px, (min-width: 1024px) calc(57.5vw + 55px), (min-width: 415px) calc(100vw - 40px), calc(70vw + 74px)\" loading=\"lazy\" data-image-context=\"Article\" data-image-id=\"2515618\" data-caption=\"\" data-credit=\"Michael Porter RWA\"\/><\/div><figcaption class=\"ArticleImageCaption\"\/><\/figure>\n<\/p>\n<p>Finally, Michael Porter depicts an <i>Impossible Landscape<\/i>. He reaches \u201cbeyond the experientially knowable\u201d, writes Parkin, but textures his alien vista with rocky and icy structures familiar from terrestrial geology to connect what science suggests that we know with what art can help us dream of.<\/p>\n<p><span class=\"js-content-prompt-opportunity\"\/><\/p><\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.newscientist.com\/article\/mg26935830-100-artists-gaze-into-space-in-stunning-new-exhibition\/?utm_campaign=RSS%7CNSNS&#038;utm_source=NSNS&#038;utm_medium=RSS&#038;utm_content=space&#038;rand=772163\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Royal West of England Academy Both artists and astronomers are, in a way, translators. They convert what we can see into a story we can tell. In Cosmos: The art&hellip; <\/p>\n","protected":false},"author":1,"featured_media":800789,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[],"class_list":["post-800788","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-scientist"],"_links":{"self":[{"href":"https:\/\/spaceweekly.com\/index.php?rest_route=\/wp\/v2\/posts\/800788","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/spaceweekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/spaceweekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/spaceweekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/spaceweekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=800788"}],"version-history":[{"count":0,"href":"https:\/\/spaceweekly.com\/index.php?rest_route=\/wp\/v2\/posts\/800788\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/spaceweekly.com\/index.php?rest_route=\/wp\/v2\/media\/800789"}],"wp:attachment":[{"href":"https:\/\/spaceweekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=800788"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/spaceweekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=800788"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/spaceweekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=800788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}