Behind some of the world’s most reputed concert halls is a Japanese engineer whose finesse in shaping sound is so perfectly unobtrusive that all listeners hear is the music—in all its subtlety, texture and fullness.
Behind some of the world’s most reputed concert halls is a Japanese engineer whose finesse in shaping sound is so perfectly unobtrusive that all listeners hear is the music—in all its subtlety, texture and fullness.